John Wilkes Booth Assassinates President Lincoln
Washington, April 17.
Some very deliberate and extraordinary movements were made by a handsome and extremely well-dressed young man in the city of Washington last Friday. At about half-past eleven o'clock A. M., this person, whose name is J. Wilkes Booth, by profession an actor, and recently engaged in oil speculations, sauntered into Ford's Theater, on Tenth, between E and F streets, and exchanged greetings with the man at the box-office. In the conversation which ensued, the ticket agent informed Booth that a box was taken for Mr. Lincoln and General Grant, who were expected to visit the theater, and contribute to the benefit of Miss Laura Keene, and satisfy the curiosity of a large audience. Mr. Booth went away with a jest, and a lightly-spoken "Good afternoon." Strolling down to Pumphreys' stable, on C street, in the rear of the National Hotel, he engaged a saddle horse, a high-strung, fast, beautiful bay mare, telling Mr. Pumphreys that he should call for her in the middle of the afternoon.
From here he went to the Kirkwood Hotel, on the corner of Pennsylvania avenue and Twelfth street, where, calling for a card and a sheet of notepaper, he sat down and wrote upon the first as follows:
For Mr. Andrew Johnson:—
I don't wish to disturb you; are you at home?
J. W. Booth.
To this message, which was sent up by the obliging clerk, Mr. Johnson responded that he was very busily engaged. Mr. Booth smiled, and turning to his sheet of note-paper, wrote on it. The fact, if fact it is, that he had been disappointed in not obtaining an examination of the Vice-President's apartment and a knowledge of the Vice-President's probable whereabouts the ensuing evening, in no way affected his composure. The note, the contents of which are unknown, was signed and sealed within a few moments. Booth arose, bowed to an acquaintance, and passed into the street. His elegant person was seen on the avenue a few minutes and was withdrawn into the Metropolitan Hotel.
At 4 P. M., he again appeared at Pumphreys' livery stable, mounted the mare he had engaged, rode leisurely up F street, turned into an alley between Ninth And Tenth streets, and thence into an alley reloading to the rear of Ford's Theater, which fronts on Tenth street, between E and F streets. Here he alighted and deposited the mare in a small stable off the alley, which he had hired sometime before for the accommodation of a saddle-horse which he had recently sold. Mr. Booth soon afterward retired from the stable and is supposed to have refreshed himself at a neighboring bar-room.
At 8 o'clock the same evening, President Lincoln and Speaker Colfax sat together in a private room at the White House, pleasantly conversing. General Grant, with whom the President had engaged to attend Ford's Theater that evening, had left with his wife for Burlington, New-Jersey, in the 6 o'clock train. After this departure, Mr. Lincoln rather reluctantly determined to keep his part of the engagement, rather than to disappoint his friends and the audience. Mrs. Lincoln, entering the room and turning to Mr. Colfax, said, in a half laughing, half serious way, "Well, Mr. Lincoln, are you going to the theater with me or not?" "I suppose I shall have to go, Colfax," said the President, and the Speaker took his leave in company with Major Rathbone, of the Provost-Marshal General's office, who escorted Miss Harris, daughter of Senator Harris, of New York. Mr. and Mrs. Lincoln reached Ford's Theater at twenty minutes before 9 o'clock.
Fords Theater
The house was filled in every part with a large and brilliantly attired audience. As the presidential party ascended the stairs, and passed behind the dress circle to the entrance of the private box reserved for them, the whole assemblage, having in mind the recent Union victories, arose, cheered, waving hats and handkerchiefs, and manifesting every other accustomed sign of enthusiasm. The President, last to enter the box, turned before doing so, and bowed a courteous acknowledgment of his reception—At the moment of the President's arrival, Mr. Hawks, one of the actors, performing the well-known part of Dundreary, had exclaimed: "This reminds me of a story, as Mr. Lincoln says." The audience forced him, after the interruption, to tell the story over again. It evidently pleased Mr. Lincoln, who turned laughingly to his wife and made a remark which was not overheard.
The box in which the President sat consisted of two boxes turned into one, the middle partition being removed, as on all occasions when a state party visited the theater. The box was on a level with the dress circle; about twelve feet above the stage. There were two entrances—the door nearest to the wall having been closed and locked; the door nearest the balustrades of the dress circle, and at right angles with it, being open and left open, after the visitors had entered. The interior was carpeted, lined with crimson paper, and furnished with a sofa covered with crimson velvet, three arm chairs similarly covered, and six cane-bottomed chairs. Festoons of flags hung before the front of the box against a background of lace.
President Lincoln took one of the arm-chairs and seated himself in the front of the box, in the angle nearest the audience, where, partially screened from observation, he had the best view of what was transpiring on the stage. Mrs. Lincoln sat next to him, and Miss Harris in the opposite angle nearest the stage. Major Rathbone sat just behind Mrs. Lincoln and Miss Harris. These four were the only persons in the box.
The play proceeded, although "Our American Cousin," without Mr. Sothern, has, since that gentleman's departure from this country, been justly esteemed a very dull affair. The audience at Ford's, including Mrs. Lincoln, seemed to enjoy it very much. The worthy wife of the President leaned forward, her hand upon her husband's knee, watching every scene in the drama with amused attention. Even across the President's face at intervals swept a smile, robbing it of its habitual sadness.
About the beginning of the second act, the mare, standing in the stable in the rear of the theater, was disturbed in the midst of her meal by the entrance of the young man who had quitted her in the afternoon. It is presumed that she was saddled and bridled with exquisite care.
Having completed these preparations, Mr. Booth entered the theater by the stage door; summoned one of the scene shifters, Mr. John Spangler, emerged through the same door with that individual, leaving the door open, and left the mare in his hands to be held until he (Booth) should return. Booth who was even more fashionably and richly dressed than usual, walked thence around to the front of the theater, and went in. Ascending to the dress circle, he stood for a little time gazing around upon the audience and occasionally upon the stage in his usual graceful manner. He was subsequently observed by Mr. Ford, the proprietor of the theater, to be slowly elbowing his way through the crowd that packed the rear of the dress circle toward the right side, at the extremity of which was the box where Mr. and Mrs. Lincoln and their companions were seated. Mr. Ford casually noticed this as a slightly extraordinary symptom of interest on the part of an actor so familiar with the routine of the theater and the play.
The curtain had arisen on the third act, Mrs. Mountchessington and Asa Trenchard were exchanging vivacious stupidities, when a young man, so precisely resembling the one described as J. Wilkes Booth that be is asserted to be the same, appeared before the open door of the President's box, and prepared to enter.
The servant who attended Mr. Lincoln said politely, "this is the President's box, sir, no one is permitted to enter." "I am a senator," responded the person, "Mr. Lincoln has sent for me." The attendant gave way, and the young man passed into the box.
As he appeared at the door, taking a quick, comprehensive glance at the interior, Major Rathbone arose. "Are you aware, sir," he said, courteously, "upon whom you are intruding? This is the President's box, and no one is admitted." The intruder answered not a word. Fastening his eyes upon Mr. Lincoln, who had half turned his head to ascertain what caused the disturbance, he stepped quickly back without the door.
Without this door there was an eyehole, bored it is presumed on the afternoon of the crime, while the theater was deserted by all save a few mechanics. Glancing through this orifice, John Wilkes Booth espied in a moment the precise position of the President; he wore upon his wrinkling face the pleasant embryo of an honest smile, forgetting in the mimic scene the splendid successes of our arms for which he was responsible, and the history he had filled so well.
The cheerful interior was lost to J. Wilkes Booth. He did not catch the spirit of the delighted audience, of the flaming lamps flinging illumination upon the domestic foreground and the gaily set stage. He only cast one furtive glance upon the man he was to slay, and thrusting one hand in his bosom, another in his skirt pocket, drew forth simultaneously his deadly weapons. His right palm grasped a Derringer pistol, his left a dirk.
Then, at a stride, he passed the threshold again, leveled his arm at the President and bent the trigger.
A keen quick report and a puff of white smoke,—a close smell of powder and the rush of a dark, imperfectly outlined figure,—and the President's head dropped upon his shoulders: the ball was in his brain.
The movements of the assassin were from henceforth quick as the lightning, he dropped his pistol on the floor, and drawing a bowie-knife, struck Major Rathbone, who opposed him, ripping through his coat from the shoulder down, and inflicting a severe flesh wound in his arm. He leaped then upon the velvet covered balustrade at the front of the box, between Mrs. Lincoln and Miss Harris, and, parting with both hands the flags that drooped on either side, dropped to the stage beneath. Arising and turning full upon the audience, with the knife lifted in his right hand above his head, he shouted "Sic, semper tyrannis—Virginia is avenged!" Another instant he had fled across the stage and behind the scenes. Colonel J. B. Stewart, the only person in the audience who seemed to comprehend the deed he had committed, climbed from his seat near the orchestra to the stage, and followed close behind. The assassin was too fleet and too desperate, that fury incarnate, meeting Mr. Withers, the leader of the orchestra, just behind the scenes, had stricken him aside with a blow that fortunately was not a wound; overturning Miss Jenny Gourlay, an actress, who came next in his path, he gained, without further hindrance, the back door previously left open at the rear of the theater; rushed through it; leaped upon the horse held by Mr. Spangler, and without vouchsafing that person a word of information, rode out through the alley leading into F street, and thence rapidly away. His horse's hoofs might almost have been heard amid the silence that for a few seconds dwelt in the interior of the theater.
Then Mrs. Lincoln screamed, Miss Harris cried for water, and the full ghastly truth broke upon all—"The President is murdered!" The scene that ensued was as tumultuous and terrible as one of Dante's pictures of hell. Some women fainted, others uttered piercing shrieks, and cries for vengeance and unmeaning shouts for help burst from the mouths of men. Miss Laura Keene, the actress, proved herself in this awful time as equal to sustain a part in real tragedy as to interpret that of the stage. Pausing one moment before the footlights to entreat the audience to be calm, she ascended the stairs in the rear of Mr. Lincoln's box, entered it, took the dying President's head in her lap, bathed it with the water she had brought, and endeavoured to force some of the liquid through the insensible lips. The locality of the wound was at first supposed to be in the breast. It was not until after the neck and shoulders had been bared and no mark discovered, that the dress of Miss Keene, stained with blood, revealed where the ball had penetrated.
This moment gave the most impressive episode in the history of the
Continent.
Continent.
The Chief Magistrate of thirty, millions of people—beloved, honored, revered,—lay in the pent up closet of a play-house, dabbling with his sacred blood the robes of an actress.